Gulzar is a boatman and resident of Dal Lake, Kashmir. Gulzar was discovered through a year-long, embedded casting process in the Dal Lake boatmen community. After Musa worked, ate and slept under the same mosquito net with him, Gulzar was cast. He is available for tours on Dal Lake, just stop by the boat stand at Nehru Park on Dal Lake and ask for him.
Neelofar Hamid (Asifa)
Neelofar is the only professional actress in the film. She has appeared in numerous Kashmiri soap operas and melodramas. She’s also trained in traditional singing and dance. Neelo has worked on several local melodramas and soap operas. She enjoyed using a more naturalistic approach to acting in this film, allowing her to tap into her natural independent spirit .
Afzal Sofi (Afzal)
Afzal Sofi is a journalist in Srinagar, Kashmir. Originally brought on the team to translate Kashmiri dialogue for the film and coach actors, Afzal quickly developed a compelling chemistry with the real life Gulzar. After displaying his comic charm and knack for physical comedy, Afzal was cast in this major supporting role.
CREW
Musa Syeed (Writer/Director)
Valley of Saints is Musa’s first feature film. A son of Kashmiri immigrants, Musa had not been to his parents’ homeland for nearly 20 years before making the film. He previously co-produced “Bronx Princess” (Official Selection, Berlinale) and “A Son’s Sacrifice” (Best Documentary Short, Tribeca), with Valley of Saints Cinematographer Yoni Brook.
Mubashir Mohi-ud-din (Composer)
Mubashir (aka “Din”) is the songwriter, singer, and guitarist for the rock n’ roll band Zerobridge, based in New York City. Musa approached Din to compose the score to Valley of Saints in Kashmir. Din’s score captures the country’s breathtaking landscape and the isolation of the film’s characters. “The process of working with some of the most talented musicians in Srinagar augments the feeling that this film has brought worlds together to experience a story of love and hope.”
Nick Bruckman (Producer
Nick previously directed and produced the feature documentary LA AMERICANA, which won best documentary at the New York and Los Angeles Latino Film Festivals and broadcast worldwide. In addition to independent film, Nicholas’ production company People’s Television creates commercial content for brands including IBM, USAID, Nissan, Philips, and Facebook.
Altaf Mehraj (Production Manager)
Altaf is a practicing lawyer and is currently posted at the High Court of Kashmir. During the 2010 curfew, when the film was in production, the courts were closed and Altaf was out of work. A family friend of Musa’s, Altaf knew the difficulties the film’s skeleton crew was facing and came to help out. He quickly became indispensable in all aspects of production. Altaf has been instrumental in leading a number of local social issue campaigns
Yoni Brook (Cinematographer)
Yoni Brook is a director and cinematographer. He is nominated for an Independent Spirit Award for his work on Valley of Saints, which he shot with no professional crew under a military curfew in Kashmir. In collaboration with Musa Syeed, Brook has directed three documentary films: BRONX PRINCESS (Berlinale), THE CALLING (PBS), and A SON’S SACRIFICE (Winner, Tribeca Film Festival: Best Documentary Short).
Behind the Scenes
Behind the Scenes
Making a film in Kashmir during a curfew, with a skeleton crew and a small budget isn't easy. Take a look at how we did it:
What's My Motivation?
Musa rehearses with a soldier before shooting a curfew scene.
Shaving for Sound
To get the best sound, Nick had to clear up the hair that would bristle against Gulzar's clip-on microphone.
Keeping Cool
In the middle of the lake, it can be hard to find shade.
Doc Skills
We drew on our previous documentary experience to shoot during live events, like this vegetable market.
Crowd Control
Almost everywhere we shot, large crowds would gather. Altaf was great at keeping onlookers under control.
Curfewed Production
A military curfew lasted the whole of production, with only a few off days for us to get out and about.
Hold Tight
Musa holds on to Yoni for a roof shoot.
First Aid
During a shoot in a graveyard, a group of kids threw stones at us, mimicking the protesters on the streets. After Gulzar was hit, we rushed him to a doctor. He only had a minor injury and he recovered quickly.
It Takes A Village
The communities of Dal Lake came out to help us in every way--from providing crew, actors, transport and food.
Keep Warm
On a cold night shoot, our friends used the production lights as 'kangris' the traditional Kashmiri firepot.
Keep it Close
With a curfew on our hands, we kept our crew small and our equipment light.
What Goes Up...
Yoni would climb up any roof, scale any wall to get a shot...
...Must Come Down
...but Yoni broke his toe during a shoot. He pushed through for the last couple weeks of production.